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Fast & Furious 7
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Fast & Furious 7
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Fast & Furious 7
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Fast & Furious 7
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Fast & Furious 7
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Fast & Furious 7
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Fast & Furious 7
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Fast & Furious 7
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Fast & Furious 7
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Fast & Furious 7
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Fast & Furious 7
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Fast & Furious 7
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Fast & Furious 7
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Iron Man 3
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Insurgent
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Insurgent
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Insurgent
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Insurgent
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One Tree Hill
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One Tree Hill
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One Tree Hill
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One Tree Hill
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One Tree Hill
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One Tree Hill
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One Tree Hill
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One Tree Hill
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One Tree Hill
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One Tree Hill
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One Tree Hill
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One Tree Hill
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One Tree Hill
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One Tree Hill
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One Tree Hill
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One Tree Hill
Creating Set Concepts
Here are just a few of the illustrations I've done of various sets. I have tried to include photos of the finished sets as well (taken from roughly the same POV as the illustration). These illustrations are used when first discussing the set with the director and producers. They are a good way for everyone to agree on the look and style before any actual construction begins.Most of these illustrations are done very quickly, in a day or two. I will first design the set in a 3D CAD program. This model can be used with the director to do a 'virtual' walkthrough of the space, without worrying about colors or finishes. Once we agree on the layout of the set in the model, I'll then take that into Photoshop and create the finished pieces you see here. Many times, I will only do a ‘clay’ render of the set and then let more talented concept illustrators take that and paint a more polished piece.
When everyone signs off on the final look, the 3D model can be passed onto the set designer to develop working drawings for construction. These drawings are also very informative for the scenic department and set dressiing department. In today's rushed production schedules, the speed and clarity of communication between all of these departments is critical.
If it's not in the frame,
it doesn't exist.